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A portion of proceeds from the sale of these works supports dot
the minute touches are flawlessly transposed to offer the viewer a real plunge into Aili’s post-apocalyptical vision which verges to dystopia
The original stock image on which “Boy in Wheelchair” is based
has made iconic
incorporating industrial materials into the art of edition making -- offering a contrast of glossy automotive paint with a textured
Marc Quinn - NATURENOW. Thanks to the Insects (Lotus) Erwin Wurm A portion of proceeds fromLimited Edition of 25 The NATURENOW series filters nature through a digital lens. Each piece begins as a screenshot on Quinns iPhone which is then enlarged and pigment printed on canvas before being overpainted and coated with shattered car windscreen glass. The collision suggested by the glass asks us what separates the virtual world of the screen from the real world of the plants it depicts, when the boundary between the two is increasingly breaking
