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it remains within a harmonic style that is lightened by brief imitative phases
Bach as Thomaskantor in Leipzig
Among the highpoints of the cantata are a scene of awakening fashioned as a choral recitative with an expressive piano part and a large final chorus "Preist laut den Herr"
provides a new accent in the well-known Christmas repertoire
in A major
Missa votiva ZWV 18 （ヴォーカル・スコア） 03.226/80 it remains within a harmonic
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